There is nothing easy about writing historical fiction. Once a writer adds art into the mix, the project becomes something entirely different as many artists, especially those like Vincent Van Gogh are not so easily defined. Furthermore, having the ability to blend factual art historical information with the fiction a writer creates, is difficult and can often produce novels that are more of a creation as opposed to a well-researched, factual backdrop with a fictional story also added for entertainment.
This, however, is not the case with Sheramy Bundrick’s Sunflowers. As an art historian and professor, Bundrick brings to the table a strong set of skills and research that are more than evident in her fictional retelling of the final two years of Dutch painter Vincent Van Gogh’s troubled life. She recounts with some liberty, the time that the struggling artist spent with a young woman named Rachel – the very same lady that would be presented with a fragment of his ear.
Rachel Corteau
In reality, there is nearly nothing that has survived in history about the real Rachel, other then a document that lists her name, address, occupation and that she was the woman Van Gogh asked for at the brothel to present her with a piece of his ear. Other artists such as Bernard and Gauguin mention Rachel in their writings and letters only in passing, referring to her as the “cafe girl” or “a wretched girl” respectively.
Irregardless of the reality of the factual, historical relationship between Van Gogh and Rachel, Bundrick writes her story having imagined what it might have been like had there been a relationship between the two people while incorporating factual information regarding the time period and Van Gogh’s work.
Mixing Factual with Fantasy
Moreover, Bundrick creates this mixture of fantasy and art historical fact seamlessly. She captivates her readers from the very first page and does not let them go until they reach the inevitable end of both the novel and of Vincent Van Gogh. Her intricate descriptions make her readers feel as though they are part of the dingy cafe where Vincent and Rachel meet to talk, part of the garden where he draws her and even part of the city and busyness of the city of Arles as a whole.
Overall, Sheramy Bundrick’s work is captured best through Susan Vreeland, author of Life Studies, ” [Bundrick] lays bare in rich, compelling scenes the mystery of the turbulent and misunderstood final two years in Van Gogh’s life.” Sunflowers is a gem of a first novel and makes for an interesting glimpse into the mental decline of one of the world’s most famous artists.
Sunflowers – A Novel of Vincent Van Gogh by Sheramy Bundrick is available for purchase through Avon with ISBN 0061765279.
Kevin Nance of Booklist describes Houpt’s book through the following angle, “when houses like Sotheby’s trumpet their sales records – $104 million for a Picasso! – what’s a self-respecting art thief to do? In this brief and lively book, Houpt laments the transformation of art into an international commodity and sketches a series of quick portraits of famous latter-day art thieves and the intrepid detectives who try to catch them. In a few cases, Houpt has already been outpaced by events. Munch’s The Scream, stolen from a Norwegian museum in 2004, was recently recovered, and the Picasso sales record was eclipsed this year by the sale of a Klimt (once looted by the Nazis) for a reported $135 million.”
When I was in my early 20’s, I broke up with my high school/college sweetheart and packed up my life for a semester abroad in Paris. I am all about books that take me back to Paris, especially those that are about a newly single woman navigating her new world in one of the world’s most beautiful cities. I was so excited when I received the galley for Sarah Morgan’s One Summer in Paris.
, is a period in art history where the mature El Greco and the young Velazquez flourished.The court of Phillip III “ushered in a time of elaborate celebrations and religious festivals, a major expansion in new building, and an unprecedented rage for art collecting in the Spanish court. Spain’s art became more naturalistic and expressive; the royal portraits are masterpieces of detailed elegance, and the religious figures have reality and solidity new to the genre,” according to the School Library Journal.
When the British painter, 
Primitivism is an area within art history that is most famously associated with artist Paul Gauguin. He often traveled to tropical areas such as Tahiti where he believed that he was observing primitive cultures that were untouched by the modern world. Largely, this was not the case, but in turn, Gauguin along with many artists who followed, began to paint native people in a basic, unassuming way.
Artists will often look at, admire and even borrow from other artists to create their own style and ideas. For Pablo Picasso, this was Edgar Degas. His admiration bordered on near-obsession and even went on to extend to Degas’ personality.
Beginning with Max Pechstein’s cover illustration for the Novembergruppe’s book, Rigby sets a clear tone for her catalog. Portrayed is an able bodied man, shirtless and with flames erupting from his chest. Above his head reads “AN ALLE KUNSTLER” which when translated means “to all artists” and served as a message to the German Expressionists. From the fiery introduction, Rigby transitions smoothly into the War Period where she focuses on the attitudes that created art.
There are many books written about modern American painting. Many serve as a general overview of the period and some go into great detail and discussion over a specific artist or movement. What sets James W. Tottis’ catalog apart from other art books such as these is that along with strong, well-researched essays, he has also included high resolution details of larger works that coincide with specifics discussed in the text.
America, specifically New York, was not seen as the center for the art world until the twentieth century. Before that, Europe, specifically Paris, was the center of the art world. Artists from all over the world traveled to the City of Lights to train and broaden their artistic scope. With the artists, came many art enthusiasts and patrons who would become famous in their own right, people such as Gertrude Stein.
Katherine Kuzma-Beck 