When the British painter, Dora Carrington is discussed, the name Lytton Strachey is not too far behind. Carrington was associated with the Bloomsbury Group, a circle of artists who worked near Bloomsbury in London during the first half of the twentieth century. Its famous roster not only included Strachey, but Virginia Woolf as well.
During her lifetime, Carrington was not a well-known artist, and rarely exhibited any of her work. She did, however, work at the Omega workshop for a short time. It would not be until the 1970’s that a renewed interest in her work would begin.
In many ways she was a woman ahead of her time. She bobbed her hair, wore a mix of men and women’s clothing and despite having later married, she kept residence with the love of her life, who just happened to be gay. Either way, Carrington epitomized the Bohemian lifestyle that was very much a taboo during the time in which she lived.
Strachey was a homosexual writer who Carrington falls completely in love with early on in her life. Gerzina heavily documents these feelings in the biography through a reproduction of sketches and letters that were sent between the two. Gerzina’s biography heavily focuses on this relationship more so than Carrington as a painter. Though, such an approach is interesting, it robs from art history as readers have to look towards other sources to learn more about Carrington the painter and not Carrington, the admirer of a homosexual artist.
Marriage to Ralph Partridge and the Affairs
There is no doubt that Partridge loved Carrington as Gerzina depicts their relationship with a sort of glow. Partridge would save Carrington from her first suicide attempt while never forgiving himself for failing to come to her aid in her second, fatal attempt. Gerzina also shows another side of Carrington, the one that often dabbled in lesbian affairs of her own while creating strong attachments and attractions to other artists such as Gerald Brenan.
Portrayal of Carrington, the Painter
Despite Gerzina’s approach to the biography, included are several chapters and photo inserts of and on Carrington’s work that help the reader to better understand Carringon as a painter outside of her absurd and often peculiar relationships with fellow artists.
Gerzina’s biography was made into a movie entitled Carrington in 1995 and it stared Emma Thompson.
Another book that discuss Bohemia, Bloomsbury and people from Carrington’s circle is Virginia Nicholson’s Among the Bohemians: Experiments in Living 1900-1939.
Carrington: A Life by Gretchen Holbrook Gerzina is available through purchase online with ISBN 039331328X through W. W. Norton & Company.